The microgenre that is country rap has a resurgence in popularity every so often—remember Bubba Sparxxx? Cowboy Troy? It usually gains a bit of media attention, makes some rap fans say, “hey, country isn’t so bad,” and has country fans thinking, hmmm, this rap stuff can be okay. Then, having fostered a little cross-genre appreciation but no solid fan base, the sound returns to obscurity. But at least one artist is hoping that in the Venn diagram of country music fans and rap fans, the tiny intersecting sliver is growing.
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