It is probably fair to say that Hans Abrahamsen is not the world’s most exciting composer. His music is deliberately spare, enigmatic, understated. It moves about as quickly as a glacier on valium. Simple musical gestures are repeated, and repeated, and then repeated some more. If you’re looking for drama or exuberance or gut-wrenching passion in music — or even just evidence of a pulse — this rather muted Danish composer may not be your cup of tea.
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