Back in April, I attended a spectacular Kennedy Center debut of the young cellist Cicely Parnas and gushed: “Her bow-arm is perfection itself, and with it she sculpts phrases of lapidary detail. She already understands that, on a string instrument, there is as much beauty to be found between the notes as during them.” Upon hearing her a second time, Wednesday at the National Museum of Women in the Arts, I reaffirm the talent and potential but observe some shortcomings as well. All fixable, of course.
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