Color is important in Alan Steele’s collaged drawings, but line is essential. The artist’s “Symmetry and Stillness,” at Adah Rose Gallery, features intricate hand-rendered patterns of parallel and interlocking strokes. At first, the mazelike figures seem mechanical, but despite their herringbone crispness they’re too idiosyncratic to have been generated automatically. Steele also incorporates bits of text and blocks of color, either atop the drawn motifs or adjacent to them. Some of the color fields are actually rectangles of corrugated cardboard, scored with regular indentations that are also lines of a sort.
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