Whenever I’m asked on fancy stages or across shadowed bars to name my favorite author, I always reply William Gibson. I am forever interested in the near future, in the forward-leaning now, and no one writes it better. Gibson specializes in the rapid appropriation of the most provocative ideas, images and — especially — artifacts circulating in the overlapping worlds of art, advertising, espionage and the global underworld. He also possesses some favorable mutation that allows him to metabolize the strangeness and make it, through the techniques of fiction, highly bioavailable to other brains.
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